Woody Allen was born on December 1, 1935. He is an histrion, manager, film writer, dramatist, writer, and comedian. He focuses most of his work on middleclass life in New York City. He wrote a figure of plants that deal with life and decease, specifically in the two I will concentrate on: Death Knocks and Whatever Works. Woody Allen depicts certain subjects invariably throughout his plants. Many of his characters change their values dramatically, which they held in a heartfelt way earlier to accommodate to their current state of affairs. This was evident in his film, Whatever Works. He besides shows the debasement of human society in his movie through the position of the chief character, Boris. Woody Allen ‘s position on life and decease is shown in his films and books as changing, but besides dejecting and sometimes chilling because of the manner he writes.

Woody Allen was born to a middleclass Judaic household in Brooklyn, New York. He ever wanted to be a dramatist and started stand-up comedy while in school. He was a author for telecasting shows, which helped him derive entree to the amusement industry. Finally, he began composing, directing and moving in his dramas and movies. He has won Oscars for his movies and has become a successful comic. He has put a batch of himself in his movies. Many of his characters have been older work forces with younger adult female, such as the relationship between Boris and Melody in Whatever Works. Woody Allen had a relationship with his ex-wife ‘s adopted girl, who he subsequently married.

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Woody Allen is the author and manager of Whatever Works, a movie in which he depicts his positions on life through the chief character, Boris. For Allen, filmmaking is an art that, he says, “ distracts me from the uncertainness of life, the inevitableness of aging and decease and decease of loved 1s ; mass violent deaths and famishment, from holocausts ‘ non merely semisynthetic slaughter, but the experiential place you ‘re in. ” Allen has portrayed his characters as a self-projection that began in his earlier films. In Stardust Memories ( 1980 ) , Allen presented a ‘portrait of a adult male who is intended to look merely every bit depraved as Allen ‘s critics have accused him of being ‘ ( Lee 115-116 ) . Therefore, in Whatever Works, Allen once more undertakings himself on to Boris. Boris believes that life is a horror show and that is wholly overpowering. He believes that life ‘s aspirations finally conform with age to whatever plants. Whatever Works ‘ opening scene depicts the chief character, Boris ‘ , mentality on life. The film ‘s first scene negotiations about the failures of political orientations because they all rely on the fact that people are basically nice, which he believes is untrue. Boris claims life is a incubus without people in it and that people should take whatever pleasance they can acquire in this house of incubuss. He has a wholly misanthropic and negative position of life.

In an interview, Woody Allen expressed his positions of life and his life as a film maker. After Whatever Works, the broadcaster asked Woody about his reoccurring subject life being difficult and painful. Allen responded, ‘All the of import authors and all the of import philosophers have, in one signifier or another, come to the decision, the obvious decision, that you know, life is a awful test and really rough and really full of agony, and so whatever you can make with the judicial admission that you do n’t ache anybody without, you know, destroying a life here or at that place or doing any harm, there ‘s nil incorrect with it ‘ ( Will the Real Woody Allen ) . This provides penetration into his doctrine of life and how it impacts his work. Like Boris, Woody says that existent jobs distract him from his work, like confronting the rough worlds of life and confronting decease. He says that what distracts him is:

‘the uncertainness of life and inevitableness of aging and decease, and decease of loved 1s, and mass violent deaths and famishments and holocausts, and non merely the manmade slaughter but the experiential place that you ‘re in, you know, being in a universe where you have no thought what ‘s traveling on, why you ‘re here or what possible intending your life can hold and the decision that you come to after a piece, that there is truly no significance to it, and it ‘s merely a random, nonmeaningful event, and these are reasonably dejecting ideas. And if you spend much clip believing about them, non merely ca n’t you decide them, but you sit frozen in your place ‘ ( Will the Real Woody Allen ) .

This shows how much Woody puts his ideas into those of his characters. Woody Allen was influenced by many American and European influences, such as Ingmar Bergman, Dostoevsky, Charlie Chaplin, Orson Welles and more. Allen ‘distrusts and satirizes formal instruction ‘ which he explicitly voices through Melody, when she tells Boris that he told her the American instruction system has failed ( Woody Allen ) .

In Whatever Works, Woody Allen tells the narrative of Boris. He is an old adult male and a mastermind. He divorces his first married woman after a failed self-destruction effort when he realizes they are perfect on paper but incompatible in existent life. Then one twenty-four hours, after hanging out with his friends, he meets Melody, a immature adult female from Mississippi. She convinces him to allow her stay with him temporarily. She is na ‘ve and appreciates his mentality on life and finally, falls in love with his mastermind head. She believes she is lucky because a miss of her intelligence found a adult male with his mastermind, a physicist who claims he about won the Nobel Peace Prize. Boris imposes his political orientations upon Melody.

Woody Allen ‘s positions on beliefs are strongly shown as accommodating to current state of affairss. This can be seen in the film Whatever Works through Woody Allen ‘s word picture of Melody ‘s parents. They are both blue-collar stereotyped spiritual Midwestern Americans. When Melody ‘s female parent first arrives, she faints after seeing that Melody is married to a adult male like Boris, believing that he is either keeping or surety or has brainwashed her. Prior to geting in New York City, Melody ‘s female parent was a homemaker who had merely been with one adult male, her hubby. After he cheated on her, they got a divorce and she came to her girl. Finally, she settles into a life in New York City. After a few hebdomads, she becomes an creative person and takes in a lover and so another lover. She lives with two work forces and creates nude montages. Her hubby is similar in his alteration. He is besides a blue blooded American. When he comes to New York to acquire his married woman back, he has a self-fulfillment that he is a homosexual and lives with a male lover. Woody Allen shows how one ‘s aspirations in life alteration to ‘whatever plants ‘ .

In the film, Woody Allen ‘s position of life is misanthropic and his position of decease is amusing. Each clip the character Boris ‘s matrimony fails ; he attempts suicide by leaping out the window. After the first clip, Boris land on a canopy develops a hitch and divorces his married woman. He believes they were the perfect twosome on paper but that it no longer ‘worked ‘ . He realized this after an anxiousness onslaught in the center of the dark when he realized he was deceasing. He was mentioning to deceasing easy each twenty-four hours and that one twenty-four hours, he will decease. The 2nd clip Boris attempted self-destruction after his married woman, Melody, tells him she is in love with another adult male and wants to love life and interact with others, and non be misanthropic any longer. He tells her he expected this twenty-four hours to come but when he goes home, he jumps out the window once more. This clip, he lands on a adult female and breaks her leg. They finally become a twosome. Death is seen as manner out of the adversity of life, nevertheless, for Boris, when one chapter closed, another opened. Life for him was ever deserving life, even if he did non believe so at the clip. He besides tried to perpetrate self-destruction on a roseola caprice. It was ne’er planned but an immediate action without thought.

Woody Allen has parodied self-destruction in many of his movies prior to Whatever Works, including What ‘s New, Pussycat? ( 1965 ) . Throughout his plants, Allen asks cardinal inquiries about human life that includes, ‘Is it possible to make a deeply fulfilling romantic relationship with merely one individual? Is at that place one set of perfectly true moral rules, or is moralss merely a affair of sentiment? Is there God? And what will go on after decease? ‘ ( Lee 46 ) . In Whatever Works ( 2009 ) , Woody Allen has eventually come to a decision for many of his philosophical inquiries that he asked in his earlier movies. Woody Allen is unequivocal in claiming there is no God as Boris and Melody mock Melody ‘s male parent for praying. Melody straight-out tells her male parent that he is praying to nothing’just air. Therefore, ‘faced with a meaningless existence and no manner to turn out the being of God, his character contemplates suicide ‘ is something many of Allen ‘s characters face ( Blake 61 ) . It was besides evident that romantic relationships are non with merely one individual because each of the characters had legion relationships. Tune ‘s ma had two lovers at the same clip. None of the characters abided by a deep-seated moral codification either. Boris repeatedly claimed ethical motives changed to ‘whatever plants ‘ .

‘Death Knocks ‘ is a drama about gulling decease and seting it off. In the drama, there are merely two characters’Nat Ackerman and Death. Death comes to Nat because it is his clip to travel. Nat refuses to believe him and dramas Death in a game of Gin Rummy for an excess 24 hours to populate and for some money. Death loses. In the drama, Death claims there is a specific Death for each individual and that it resembles them. Nat refuses to believe Death and finally kicks him out of his house. This short drama symbolizes Woody Allen ‘s refusal to come to footings with decease, shrugging it off and non coming to footings with it. The drama shows Allen seeking to come to footings with understanding what decease is. However, in the drama, Nat does non decease.

Many of his characters are obsessed with decease. From Alvy in Annie Hall ( 1977 ) to Boris in Whatever Works ( 2009 ) , the characters are ‘obsessed with abstract considerations about the torment of life and the panics of decease ‘ ( Lee 61 ) . Particularly since, ‘death is seldom far from Allen ‘s ideas or images ‘ ( Blake 69 ) . Woody Allen believes that life is synonymous with enduring. Therefore, he takes a place of demoing a thin line between taking life and decease for his characters, who are afraid to populate and afraid to decease.

Therefore, a perennial subject Woody Allen depicts is ‘when a individual comes to recognize emotionally every bit good as intellectually that he will finally decease, he becomes filled with apprehension, ‘ which can be seen in plants like Annie Hall and Manhattan ( Lee 123 ) . Boris had this epiphany that Nat Ackerson did non. Therefore, the reactions of both characters for decease were wholly different.

Woody Allen has led a successful calling. He has made many movies and written many dramas. He is a adult male who thinks he is an existential philosopher, seeking to see the large image. He is scared of decease and efforts to non believe about decease by working hard in his movies and dramas. In Whatever Works and Death Knocks, you get a sense of Woody Allen and how he puts himself into his characters, particularly seeing what he says about life and decease.

Work Cited

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Blake, Richard A. Woody Allen: Profane and Sacred. Lanham, MD ( u.a. ) : Scarecrow, 1995. Print.

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Lee, Sander H. Eighteen Woody Allen Films Analyzed: Anguish, God and Existentialism. Jefferson, NC: McFarland & A ; , 1998. Print.

Lee, Sander H. Woody Allen ‘s Angst: Philosophic Comments on His Serious Films. Jefferson, NC: McFarland, 1997. Print.

McCaffrey, Donald W. “ Allen, Woody. ” International Dictionary of Films and Filmmakers. Ed. Sara Pendergast and Tom Pendergast. 4th erectile dysfunction. Vol. 3: Actors and Actresses. Detroit: St. James Press, 2000. 11-14. Gale Virtual Reference Library. Web. 12 Jan. 2011.

“ Will The Real Woody Allen Please Stand Up? [ REBROADCAST ] . ” Fresh Air 29 Dec. 2009. Literature Resource Center. Web. 18 Jan. 2011.

“ Woody Allen. ” International Dictionary of Films and Filmmakers. Vol. 2. Gale, 2000.Gale Biography In Context. Web. 19 Jan. 2011.

“ Woody Allen On Life, Films And ‘Whatever Works ‘ : NPR. ” NPR: National Public Radio: News & A ; Analysis, World, US, Music & A ; Humanistic disciplines: NPR. 15 June 2009. Web. 13 Jan. 2011. & lt ; hypertext transfer protocol: //www.npr.org/templates/story/story.php? storyId=105400872 & gt ; .